Theatrical Re-release Hits Theaters August 29;
Blu-ray Anniversary Editions of “Ghostbusters” and “Ghostbusters II” Available September 16
CULVER CITY, Calif. (August 20, 2014) – Who you gonna call? On Thursday, August 28, 2014, grab your Proton Pack and hop in your Ecto-1 for National Ghostbusters Day! Celebrate the 30th anniversary theatrical re-release of the blockbuster classic with your fellow Ghostbusters, but beware of Slimers and menacing marshmallow men.
The original 1984 film has been restored and remastered in 4K and will be returning to the big screen from Sony Pictures Entertainment, in over 700 locations in the United States and Canada, for a limited engagement starting August 29 (Labor Day weekend).
Following the theatrical release of the film, on September 16, fans will be able to own the Ghostbusters 30th Anniversary Edition on Blu-ray and the Ghostbusters II 25th Anniversary Edition, as that film makes its Blu-ray debut. The Sony Pictures Home Entertainment releases of the films will also be available in a two-disc anniversary edition Blu-ray™ Digibook including both films, as well as a Limited Edition gift set that includes an exclusive collectible Slimer figurine and the two-disc Digibook. This special gift set will only be available for a very limited time, with the collectible Slimer figurine being a true must-have for fans. Both films have been fully restored and remastered in 4K and will be presented in high definition on Blu-ray from those 4K sources.
Both the Ghostbusters and Ghostbusters II Blu-rays come loaded with exclusive bonus materials, including revealing conversations with director Ivan Reitman and Dan Aykroyd, as well as never-before-seen deleted scenes from Ghostbusters II and more. The Ghostbusters anniversary edition features the original music video of the Oscar® nominated song “Ghostbusters” by Ray Parker Jr., while Ghostbusters II includes the original music video for “On Our Own” by Bobby Brown. In addition, Ghostbusters will contain all previously released legacy content, commentary and an interactive Slimer Mode, offering fans a picture-in-picture graphical viewing experience.
There will also be a slew of new merchandise from Sony Pictures Consumer Products to be released. Collaborations include Lego, Mattel, Funko, Mad Engine and other select items to help celebrate the occasion. In addition, SPCP partnered with Gallery 1988 to create a once-in a lifetime experience, displaying original paintings, limited edition prints, and sculptures inspired by the film.
Finally, Legacy Recordings / Sony Music Entertainment, will celebrate the 30th anniversary of the iconic Ghostbusters soundtrack with multiple collectible vinyl LP releases this year.
Fans can follow the action on social media with the hashtag #GB30 or visiting the following sites:
Directed and produced by Ivan Reitman (Meatballs, Stripes), with the screenplay written by Dan Aykroyd (My Girl) and Harold Ramis (Knocked Up), GHOSTBUSTERS is listed as No. 28 on the AFI’s List of America’s Funniest Movies. Bill Murray (Stripes), Dan Aykroyd (Blues Brothers), and Sigourney Weaver (Aliens) star, along with Harold Ramis (Groundhog Day), and Rick Moranis (Honey I Shrunk the Kids). Ernie Hudson (TV’s “Oz”) and Annie Potts (TV’s “Designing Women”) also star in the films.
Robin Williams won the Academy Award for best supporting actor for the entirety of his performance in “Good Will Hunting,” but it was a three-minute scene in that 1997 film that clinched the Academy Award.
Mr. Williams played Sean Maguire, a Boston psychologist counseling young Will Hunting (Matt Damon), a janitor with a genius-level mind. Will asks Sean, “When did you know [Sean’s late wife] was the one for you?”
“Oct. 21st, 1975,” replies Sean. “It was game six of the World Series.”
Turns out Sean had a ticket to the game. With his brilliant physicality, Williams/Sean re-creates Carlton Fisk’s legendary home run, mimicking Fisk’s body language as he urges the ball to stay fair, “rounding the bases” in his office, perfectly describing the reaction of the fans.
Will asks if Sean rushed the field — and that’s when Sean explains he never went to the game. He gave up his ticket to have a drink with a girl in a bar. The girl that would become his wife.
It was one of the signature moments in a career that spanned nearly four decades and truly touched on the wonderfully ridiculous (“Mork & Mindy,” Mr. Williams’ manic stand-up routines) to the sublime (“Good Will Hunting,” “Dead Poets Society,” “The Fisher King.”)
If Robin Williams had never performed in a single dramatic role in his career, he would have been remembered as a Hall of Fame comedian.
If Robin Williams had never told a single joke onstage, had never starred in a sitcom or a feature comedy, he would have been remembered as one of the more storied dramatic actors of the last 30 years.
He was a renaissance entertainer.
Mr.Williams was found dead at the age of 63 of an apparent suicide on Monday morning. Only last month, the Chicago native had checked into the Hazelden Addiction Treatment Center in Minnesota “in a program aimed at maintaining long-term sobriety,” as the Huffington Post reported. Mr. Williams’ struggles with substance abuse dated back to the 1980s. In the mid-2000s, he entered a rehab facility for treatment of alcoholism.
Mr. Williams redefined stand-up comedy in the 1970s and the 1980s, dominating the stage with his energy and brilliance in specials for HBO such as “Off The Wall” (1978) and “Robin Williams: Live at the Met” (1986). He moved like a dancer and worked the room like a revival tent preacher, sweating up a storm, slipping in and out of voices, seemingly intent on winning the laughs and the hearts of every single person in the live audience as well as those watching at home.
As early as 1982, Mr. Williams showed he could make the transition to movie star in “The World According to Garp.” Of course we knew Mr. Williams could be funny, but he hit a number of melancholy notes with equal grace.
Mr. Williams’ penchant for hitting the big comedic notes (laced with more than a few dramatic moments) was well-served in films such as “Good Morning, Vietnam” (1987) and “Dead Poets Society” (1989). He also struck box office gold with “Mrs. Doubtfire” (1991).
But when I think of my favorite Robin Williams performances, at the top of the list are the roles in which he played against type. (He played against type so well and so often that at some point it wasn’t playing against type; it was simply a continuation of a fine, versatile acting career.)
In Christopher Nolan’s “Insomnia,” Mr. Williams went toe-to-toe with Al Pacino in a haunting, nuanced performance as a crime novelist who might be trafficking in more than just fictionalized evil. In “One Hour Photo” (2002), Williams took the creepy loner persona to another level as a lonely photo developer who obsesses over a family, imagining himself as their friend merely because he has access to their pictures. It was one of the most chilling performances of the decade.
A few months before the release of that film, I had the privilege of joining Mr. Williams for a quiet dinner at a restaurant in Park City, Utah. For the first hour or so, he was ROBIN WILLIAMS, entertaining our small group with jokes about the politics of the day, affecting different voices, at one point throwing himself on the floor to punch home a routine he had improvised on the spot.
But when we sat down to dinner, Mr. Williams dropped the genius shtick and simply became a quiet, thoughtful, intelligent, sweet man who talked of his life and his career, and was equally interested in the lives and stories of the small group at the table. It was a lovely evening.
Such a tragedy that Mr. Williams apparently was unable to find a place quiet enough to stave off the demons.
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